|
Measuring Impressions Against SentimentsEvents that seem likely create impressions that match sentiments. Events seem unlikely when they create impressions diverging from sentiments. For example, a mother hugs her baby creates impressions of mother and baby that are very close to our sentiments about mothers and babies. So this event seems likely, even to the point of being something we expect of mothers. On the other hand, the lawyer abandoned his client creates impressions that depart substantially from our basic sentiments about lawyers and clients, so this event seems unusual and unexpected. Occasionally an event wrenches our feelings very far from basic sentiments, as in the policeman murdered the baby; such an event makes the policeman totally evil rather than beneficial, and this seems so unlikely that we have trouble believing such an event really happened. Observing a happening like my beloved died creates an impression of the loved one so far from the observer's sentiment that the event seems unlikely to the point of impossible, and the loved one may be conceived as still living supernaturally. In ACT, event likelihoods are predicted from differences between sentiments and impressions. Fundamentals and TransientsThe sentiment associated with a cultural entity corresponds to the EPA profile obtained by averaging ratings of multiple individuals who are presented with the entity outside of the context of any event. The goodness, potency, and liveliness indicated by such out-of-context ratings is the entity's fundamental affective meaning. "Sentiment" and "fundamental affective meaning" are synonymous in ACT.
A cultural entity that is involved in a happening has an additional connotation corresponding to the impression created by that happening. This impression is measurable as the average EPA profile obtained from individuals who are experiencing the happening and who rate the entity in the context of that happening. The goodness, potency, and liveliness indicated by such in-context ratings is the entity's transient affective meaning. "Impression" and "transient affective meaning" are synonymous in ACT.
DeflectionEvents deflect feelings away from sentiments. The deflection is small in the case of likely events and large in the case of unlikely events. A different way of saying the same thing is that event likelihood depends on the extent to which transient affective meanings differ from fundamental affective meanings. Since both transient and fundamental affective meanings can be measured on EPA scales, the extent of the difference, or degree of the deflection, can be measured numerically.
A total deflection is a single overall measure of differences between all of the fundamental and transient meanings in an event.
Values of total deflection roughly translate to verbal assessments of event likelihood as follows.
StressIn affect control theory, psychological stress is deflection that cannot be resolved. The affect control theory formulation of stress leads to inferences that fit results from stress research. On one hand, for individuals with positive selves, good events like becoming a parent or getting a promotion can be stressful, but bad events generate more deflection and in general are more stressful than good events. On the other hand, both good and bad events are stressful for individuals with negative selves, and such individuals thereby are susceptible to more stress and more of the consequences of stress than are individuals with positive selves. Deflection might continue unresolved, thereby turning into stress, because:
The following graph shows how stress (i.e., deflections) arise when one is the object of others' actions. The object person for the imaginary events sampled in this graph always is "I, myself" (male EPA: 2.5, 1.7, 1.8). Actors have varying evaluations as shown on the graph but always have potency and activity ratings of 1.0. Similarly behaviors have varying evaluations as shown on the graph with a constant potency and activity rating of 1.0.
Non-stressful events are those in which your friends, loved ones, and other valued individuals perform nice acts toward you - the dark blue area on the graph. The highest levels of stress arise when valued individuals act badly toward you - the multi-colored peak on the graph. A valued individual acting too nicely toward you stresses you only somewhat - the surface rises only a little on the right for valued actors. Also, being treated badly by bad people is only somewhat stressful even though such events are emotionally unpleasant. However, stress does build when an evil individual starts acting either too terribly or too nicely toward you! The graph would change if based on computations with alternative object persons (e.g. see the comparable graph with child as object) or if we varied the potency and activity of the actor and behavior. Also, additional graphs would be needed to show how stress arises from varying your own behaviors toward a variety of object persons. Deflection, Emotion, StressDeflection is related to a sense of likelihood, not emotion. In particular, affect control theory posits that an individual can experience intense emotion with no deflection, when experiencing the characteristic emotion for a non-neutral identity. Additionally, an individual might feel no emotion even though deflected. For example, a mother whose EPA transient is about half her identity EPA profile has three or four units of deflection with respect to her own identity, but she experiences no emotion; rather she is experiencing life as oddly lackluster. Since stress is chronic deflection, a similar relation holds between stress and emotion. Life can be intensely emotional and yet not at all stressful, when one is experiencing the emotions that are characteristic of one's identity. On the other hand, an emotionally flat life can be at least moderately stressful for an individual who is trying to maintain an exceptional self. High deflection means things are strange, unique, singular, inconceivable. Life is stressful when it turns interminably strange, unique, singular, inconceivable. |
|